The reputations of Frederick Ashton and Kenneth MacMillan cast long shadows, and it's daunting for any junior choreographer to be programmed alongside them.
- PERFORMING ARTS
| Broadway Hits Make Most of Premium Pricing |
The producers of Hugh Jackman’s song-and-dance-and-bump-and-grind show on Broadway were so bullish about his popularity that, even before the first performance last month, | |
| Read more... [Broadway Hits Make Most of Premium Pricing] |
| Extreme Mating Rituals: Lust Can Be So Deadly |
Paul Taylor. He is a choreographer who calls himself a spy: he likes to see how strangers move when they’re not aware of his presence. | |
| Read more... [Extreme Mating Rituals: Lust Can Be So Deadly] |
| New York dance diary: American Ballet Theatre hits the City Centre |
ABT's week-long stint at the theatre featured works by Paul Taylor and Merce Cunningham alongside more modern ballets | |
| Read more... [New York dance diary: American Ballet Theatre hits the City Centre] |
| On a Final Tour, a Dancer Translates Poetry and Prose Into Sinew and Snap |
Since Dwight Rhoden and Desmond Richardson founded Complexions Contemporary Ballet in 1994, the company has had one clear reason for existing: | |
| Read more... [On a Final Tour, a Dancer Translates Poetry and Prose Into Sinew and Snap] |
| Royal Ballet Mixed Bill – review |
| Read more... [Royal Ballet Mixed Bill – review] |
| Eugene Onegin; London Philharmonic Orchestra, Janine Jansen/Vänskä – review |
In Tchaikovsky's Eugene Onegin each act ends in catastrophe. First the young heroine, Tatyana, spurned in love, bids farewell to innocence. | |
| Read more... [Eugene Onegin; London Philharmonic Orchestra, Janine Jansen/Vänskä – review] |
| Power Struggles Over Pep and High School Popularity |
The jubilant young dancers in the new musical “Bring It On,” at the Ahmanson Theater here, should probably be racking up frequent-flier miles, | |
| Read more... [Power Struggles Over Pep and High School Popularity] |
| Eugene Onegin, ENO, Seven magazine review |
Deborah Warner's superb production of Tchaikovsky’s masterpiece scores both visually and emotionally | |
| Read more... [Eugene Onegin, ENO, Seven magazine review] |
| Frankenstein actors share the glory at theatre awards |
It was a theatrical first: two actors alternating the roles of Dr Frankenstein and his monster in a radical interpretation of Mary Shelley’s horror story.
| |
| Read more... [Frankenstein actors share the glory at theatre awards] |
| Smooth singer was TV pioneer |
Dennis Spears reprises Penumbra show about Nat King Cole.
| |
| Read more... [Smooth singer was TV pioneer] |
| Zenon displays energy, variety |
Dancers range from explosive to calm in the world premiere of Daniel Charon's "Storm" at the Cowles Center.
| |
| Read more... [Zenon displays energy, variety] |
| A Big Bolshoi Opening From a Cinema Seat |
Excitement was high in the sold-out BIG cinema on East 59th Street in Manhattan on Sunday morning when Ballet | |
| Read more... [A Big Bolshoi Opening From a Cinema Seat] |

- NEWS ON SELEBS
- MUSIC PLUS
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the ENTERTAINMENT CITY OF SOUTH JAKARTA
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Paul Taylor. He is a choreographer who calls himself a spy: he likes to see how strangers move when they’re not aware of his presence.
ABT's week-long stint at the theatre featured works by Paul Taylor and Merce Cunningham alongside more modern ballets
Since Dwight Rhoden and Desmond Richardson founded Complexions Contemporary Ballet in 1994, the company has had one clear reason for existing:
In Tchaikovsky's Eugene Onegin each act ends in catastrophe. First the young heroine, Tatyana, spurned in love, bids farewell to innocence. 
Deborah Warner's superb production of Tchaikovsky’s masterpiece scores both visually and emotionally
It was a theatrical first: two actors alternating the roles of Dr Frankenstein and his monster in a radical interpretation of Mary Shelley’s horror story.
Dennis Spears reprises Penumbra show about Nat King Cole.
Dancers range from explosive to calm in the world premiere of Daniel Charon's "Storm" at the Cowles Center.
Excitement was high in the sold-out BIG cinema on East 59th Street in Manhattan on Sunday morning when Ballet